After two years, the artist Fernanda J. Carregado presents the continuation of her work “The sea by car ”, an autobiographical project in which she was accompanied by 6 photographers to support this experience. She takes up this theme with a lot of perspective, a continuation of the work entitled : “Other issues and a used book ”, issues that were left unfinished in order to close such an intimate and significant story for the artist.
He exhibits a work where he focuses on life issues according to his personal reflections, but while remaining open to many interpretations considering all these universal themes where viewers can identify.
Another five new photographer artists have collaborated on this project, bringing the total to 11 artists who are part of this story, all of them important to weaving this project.
The artist invites you to learn about other questions that you may perhaps ask yourself and feel like you are walking alongside her in these thoughts that she has prepared in a used book.
To anyone who wants to
be better every day.

Nando Arguelles
Exhibition curator
July, 2024
Other issues in the pipeline
1.-We laugh out loud
Ilse Van Gogh
Hahnemühle Matt Fiber Photo Paper
Digital photography - Size: A3 - Handmade ceramic frame

Piece I Anahí and her hat
Details of the ceramic sculpture Anahí and her hat.
2.-Make friends with change

Lucia Villar
Hahnemühle Photo Rag Ultra Smooth Photo Paper
Digital photography - Size: A3 - Handmade ceramic frame
Piece II Lia's headdress
Detail of black clay piece Lía's headdress
3.- Extraordinary defects
Knowing which defects to change and which not to. Only change what doesn't let you be happy and look kindly at the rest. If I look closely at myself I will find things I don't like about myself. It is important to look at yourself with love and try to accept some defects that do not change in us over the years. There are defects that must remain, we must let go a little and relax the idea of thinking that we must become impeccable. Of course we will change! But I think the smart thing is to change the defects that limit us and laugh a little at the rest. Be comfortable under our skin and understand that we must talk to ourselves throughout our lives. If you want to fight with yourself just try to be unbeatable, but you will never win the war. If you want to fight with the rest of the world try to please humanity, it never rains to everyone's liking, that is why you will also be defeated.

Fernanda J. Carregado
Judith Borobio embossed paper collaboration
Hahnemühle Photo Rag untextured photographic paper.
Digital photography - Size: A3 - Handmade ceramic frame
Piece III Mara's headdress
Details of porcelain sculpture Mara's headdress.
4.-Simple things
Don't lose your wonder at the simple things in life, live gratefully. That modest part where you don't need to do anything other than stop and contemplate and that we shouldn't overlook. A hot shower, a sunny afternoon, a soft bed, a piece of bread. Be grateful for the simple things, enjoy things that you think are there because they should be, stop taking them for granted, because that normality can bring out your most ungrateful side.
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Piece IV Peter and his hat
5.-The kind part
Antonio Morales
Title: Flora
Fujifilm Silk Photo Paper
Digital photography - Size: A3 - Handmade ceramic frame
Piece V The headdress of Zebensui
Details of ceramic piece Zebensui's headdress
To my great aunts
Summers in Buenos Aires in Lanús, my great-aunts' house, lifting tiles looking for worms and playing in the backyard. They made me tea with powdered milk and salt crackers for a snack, the two seamstresses, in their kitchen the Singer pedal sewing machines and denim fabrics with which they made me some crafts. My aunt Esther always asked me, do you want me to draw something for you? She would draw me faces of women with long eyelashes and hairstyles from the 50s, pretty faces that were in fashion when she was young and that she would scribble repeatedly to entertain myself. The emotional thing about those summers that vanished are those images embroidered in my mind to this day, without realizing it those women with hairstyles from the 50s are still alive for me and so are my great-aunts.
These embroideries inspired by them carry vessels on their heads, a task that was assigned to women before there was running water in the houses. They carried drinks and food from one place to another in this way with a padded cloth ring that was placed on top of the head that served to support and cushion heavy weights. On this support they placed baskets, cauldrons, jugs and other objects that required perfect balance, so they could have their arms free to be able to carry more things with them.
We continue to put things on our heads, currently hats and headdresses on special occasions, it is no longer a primary need but a mere adornment, these pieces that I have dedicated several years to making represented a progression of something very intimate and personal, helping me in difficult times, using them as an escape that finally resulted in this compendium of ideas entitled THE SEA BY CAR and added to this OTHER ISSUES AND A USED BOOK.
This union of the 50s, of my experiences through hats from 2016 until today, this is already a heavy feminine task that was to carry water on the head through a bun, the sum of these three issues is amalgamated in these pieces embroidered in esteem for my great-aunts.
Fernanda J. Carregado July, 2024
Jugs on the head
We are so used to having nothing more to do than turn on the tap to get water and have the opportunity to choose whether we want it cold or hot that we have a hard time thinking about the thousands of years in which this luxury did not exist. Water was an absolutely essential resource that people had to go and find wherever there was: a spring, a river, a well or a fountain. It was not only necessary for drinking but also for cooking, washing, or putting out a fire. Today, people still carry pots on their heads in many places that lack running water, such as Eritrea, Papua New Guinea, Uganda, Ethiopia, the Democratic Republic of the Congo, Somalia, Angola, Chad. Be grateful for simple things like a shower in the morning, be grateful for simple things that life gives us.
Conclusions
I find artistic production essential to dialogue with my emotions, and it also serves my need to communicate them to others. This is the best place to create what I have created surrounded by companions. I protect these moments because in memories you build a better future from experience. Art is the highest form of faith and hope because you can turn your thoughts into action. It is an opportunity to know yourself through experimenting with materials and seeing the synergy between them and you.
Acknowledgements
Mara Correa Benitez. Ilse Van Gogh. Lucia Villar. David Burbano. Anahí Ortiz. Tejeira Antonio Morales. Judith Borobio. Lía Urdaneta. Zebensui Morales Galvàn.
To my great-aunts Esther and Ñata.
To the coincidence that allowed me to cross paths with them.